Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of Bartolome Esteban Murillo 03

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
59992 Two Trinities Bartolome Esteban Murillo Two Trinities "Two Trinities"
50764 Two Women at the window Bartolome Esteban Murillo Two Women at the window mk214 c.1655-60 Oil on canvas 124x104cm
53808 Two Women in a fonster Bartolome Esteban Murillo Two Women in a fonster mk234 about 1670 127x106cm
62588 Unit 4 steps Bartolome Esteban Murillo Unit 4 steps mk284 Oil on canvas 1655 - 1660 107 x 142 cm U.S. Texas City, Golden Castle Museum Fuhe
67600 Vendedores de fruta Bartolome Esteban Murillo Vendedores de fruta Title English: The Little Fruit Seller Español: Vendedores de fruta Français : La petite marchande de fruits Polski: Mała sprzedawczyni owocew
69947 Vendedores de fruta Bartolome Esteban Murillo Vendedores de fruta Medium English: oil on canvas Polski: olej na potnie Dimensions Deutsch: 149 x 113 cm
2766 Virgin and Child Bartolome Esteban Murillo Virgin and Child 1672 Metropolitan Museum of Art, New York
77535 Virgin and Child Bartolome Esteban Murillo Virgin and Child oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cyf
75765 Virgin and Child, Bartolome Esteban Murillo Virgin and Child, Virgin and Child, oil on canvas painting by Bartolom?? Esteban Murillo, early 1650s cjr
62560 Virgin and the Son Bartolome Esteban Murillo Virgin and the Son mk284 1675 - 1680 Oil on canvas 165.7 x 109.2 Nian the New York Metropolitan Art Collection
62561 Virgin and the Son Bartolome Esteban Murillo Virgin and the Son Nian mk284 1644 Oil on canvas 151 x 103 cm Madrid Prado Art Collection
62562 Virgin and the Son Bartolome Esteban Murillo Virgin and the Son mk284 Oil on canvas 103 x 77 cm Los Angeles, Norton Simon Foundation for Tibet
62580 Virgin and the Son Bartolome Esteban Murillo Virgin and the Son mk284 Oil on canvas 137 x 112 cm Paris, private collection
62581 Virgin and the Son Bartolome Esteban Murillo Virgin and the Son mk284 Oil on canvas 188 x 137.5 cm National Gallery of Rotterdam Amouz
62565 Virgin Mary and the Santo Domingo Bartolome Esteban Murillo Virgin Mary and the Santo Domingo mk284 Oil on canvas 1640 207 x 162 cm Tibet Fort Sevilla Anoos
32926 Vision of St.Anthony of Padua Bartolome Esteban Murillo Vision of St.Anthony of Padua mk84 1656 Seville,Cathedral canvas 560x369cm
62647 Wedding Ghana Bartolome Esteban Murillo Wedding Ghana mk284 Oil on canvas 179 x 235 cm
62589 Window of two women Bartolome Esteban Murillo Window of two women mk284 Oil on canvas 1670 125 x 104 cm National Gallery Washington
62595 Window, smiling boy Bartolome Esteban Murillo Window, smiling boy mk284 Oil on canvas 1670-1680 years 52 x 38.5 cm National Gallery of London
62594 Wolves wanderer overspending Bartolome Esteban Murillo Wolves wanderer overspending mk284 Oil on canvas 21 x 42 cm Madrid, Museo del Prado
32936 Young Boys Playing Dice Bartolome Esteban Murillo Young Boys Playing Dice mk84 ca.1665-75 Munich,Alte Pinakothek. canvas 145x108cm

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Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
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